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Medieval England was proudly Catholic and ostentatiously loyal to Rome. But from the late sixteenth century until recent times – and even now – anti-Catholic prejudice has been a cornerstone of English and British identity.
This lecture will survey this ‘black legend’ and ask what made it so enduring – and why some parts of the story, such as the Inquisition’s genocidal campaign against Spanish Jews, received so much less attention than others.
In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.
This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove