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In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Nurse Ratched is the evil nurse in Ken Kesey’s One Flew Over the Cuckoo’s Nest (1962). She is the Evil Woman as autocratic, the absolute power in a psychiatric ward, which is the ultimate “total institution”.
Mata Hari was an erotic dancer who, in 1917, was executed by the French army for treason. She has been portrayed as the ultimate femme fatale, extracting information from hapless men through exploiting her sensual charms.
Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?
The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.
What is meant by ‘love’ between human and nonhuman animals? Why is sex with animals such a taboo? It is only in very recent years that some people have begun to undermine the absolute prohibition on zoosexuality. Are their arguments dangerous, perverted, or simply wrongheaded?
Eve was the original Evil Woman. She was tempted by Satan, introducing sin into the world. In turn, she seduced Adam, bringing the wrath of the Creator upon humanity for all eternity.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.
This lecture starts by looking at early-modern understandings of the nature of ‘animal’ and ‘human’ life, before turning to the rise of ‘rights of animals’.
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