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An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
I will argue for the essential unity of speech and gesture in the transmission of thought, and suggest that we have underestimated the considerable communicative significance of these movements.
Starting with literary examples from Dickens, this lecture will untangle the complexity of shadow-meaning by exploring how artists have used shadows since ancient times.
Samuel Palmer, in his Shoreham period in the 1820s and 30s, seized on the long tradition of classical pastoral landscapes, and wrested it into an English idiom.
Constable's Stour landscapes of the Regency period, during and just after the War with France, and his publication English Landscape Scenery, champion local and low-key rural England.
Mary Beard, Professor of Classics at the Univeristy of Cambridge, Fellow of Newnham College, and Royal Academy of Arts Professor of Ancient Literature - who is also well-known for her media appearances - will speak on the fascinating topic of images of Roman Emperors.