Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
What are the implications of the Big Bang for our understanding of ourselves? Is the universe meaningless? or is there some way of developing a ‘big picture’ of reality that helps us decide our place and purpose in the universe.
The lecture asks how the ancient fables address power relations in a slave society. Were they primarily stories for and by slaves, or did they serve ruling-class interests?
It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
This lecture looks at our changing understanding of ourselves, focussing on Charles Darwin’s theory of human origins and the religious, scientific and ethical questions raised.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
Isaac Newton saw his demonstration of the regularity of the universe as having great religious significance. Newton’s ideas were initially seen as very supportive of religion; yet within 50 years, they were being seen in a very different light.
What did the sky-watchers of the ancient world think about the night sky, and its implications for human existence? Moving on to the great discoveries of Copernicus, Kepler, and Galileo, we will consider the basic science and ask about the deeper significance of these discoveries.
Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.