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Crime in Fiction: Defoe and Dickens to Spark, Highsmith and McEwan

Why did stories of criminals become irresistible for novelists? Starting...

Russian Piano Masterpieces: Scriabin

Scriabin was Rachmaninov’s classmate at the Moscow Conservatoire, and enjoyed comparable fame during his lifetime, and yet today he is much less known, especially outside Russia.

Amelia Dyer: Baby Killers

Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?

The Man Who Invented Christmas: Film Adaptations of Dickens' A Christmas Carol

How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?

Freedom Song: The Fisk Jubilee Singers' Story

A choir of ex-slaves, raising funds to build their University, toured America from 1871, suffering discrimination and hardship.

The Mathematical World of C. L. Dodgson (Lewis Carroll)

This illustrated lecture and book launch will attempt to answer these questions by outlining his mathematical life, labours and legacy in the context of Victorian Oxford.

Sir Joseph Bazalgette (1819-1891) And the Cleansing of the Victorian Metropolis

The illustrated lecture will examine Bazalgette’s achievement and the work involved in building this latest addition to it.

Exporting Russia: Diaghilev’s Beginnings

In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.

Prokofiev's War and Peace

Sergei Prokofiev’s War and Peace (1953) was an adaptation of Tolstoy’s novel begun during WWII. He saw it as a personal interpretation of the novel.

Gothic London: Recreating the Ancient City on Screen

The earliest London-made films showed the Victorian city doing everyday business, before its fictional screen image became increasingly shadowy and sinister.

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