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Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?
How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
During the Civil War Charles I’s court, denied access to its usual country residences, was forced to set itself up in a series of makeshift locations. The most important of these was Oxford which Charles converted into a large and well-organised courtly campus.
This illustrated lecture and book launch will attempt to answer these questions by outlining his mathematical life, labours and legacy in the context of Victorian Oxford.
This lecture will begin with Bacon’s imagined garden, then consider the long-term promise of the experimental or scientific garden, which would eventually lead to today’s biotechnologies.
The earliest London-made films showed the Victorian city doing everyday business, before its fictional screen image became increasingly shadowy and sinister.
Professor Wilson will examine the causes, conduct and consequences of the Thirty Years’ War, Europe’s most destructive conflict prior to the two 20th-century world wars.