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Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.
This lecture starts by looking at early-modern understandings of the nature of ‘animal’ and ‘human’ life, before turning to the rise of ‘rights of animals’.
This lecture questions this view and shows how, from the sixteenth century, aristocratic families deployed their collections and commissioned their buildings in both town and country in order to further their political and dynastic ambitions.
This lecture will look at how and why Christians in the seventeenth century first began seriously to wrestle with unbelief, whether troubled by feelings that God was absent, worries about religious variety or fear of damnation.