Men, Women and Guitars in Romantic England

The guitar is arguably the most widely cultivated instrument in the world. At a time when fifty or more pianos are broken up for scrap in Britain every week – sad relics of Victorian parlour entertainment – sales of guitars have never been higher.

Nonetheless, it has been almost universally forgotten that there was an intense guitar craze in England between about 1800 and 1835, spanning the lifetimes of Keats, Byron, Shelley and Coleridge, and a craze whose history has never been traced. Histories of English music and society in the nineteenth century continue to be written as if it never happened, and yet the instrument was cultivated from the royal family in the person of Princess Charlotte (d. 1817) down to the poorest laundress.

This is much more than the story of an instrument and its music: the rise of romanticism, the creation of an urban poor hungry for self improvement, the proliferation of newspapers, serialised fiction and printed sheet music, the social position of women and other aspects of English society and culture in the wake of the Napoleonic Wars all have a place within it.

Past Lectures In This Series
WATCHED
Part of a series

The 'Romantic' Guitar

Professor Christopher Page
Thursday, 9 October 2014 - 1:00PM
WATCHED
Part of a series

Being a Guitarist in the Time of Byron and Shelley

Professor Christopher Page
Thursday, 20 November 2014 - 1:00PM
WATCHED
Part of a series

The Guitar, the Steamship and the Picnic: England on the Move

Professor Christopher Page
Thursday, 11 December 2014 - 1:00PM
WATCHED
Part of a series

The Guitar and the Romantic Vision of the Medieval World

Professor Christopher Page
Thursday, 8 January 2015 - 1:00PM
WATCHED
Part of a series

Harmony in the Lowest Home: The Guitar and the Labouring Poor

Professor Christopher Page
Thursday, 19 February 2015 - 1:00PM
WATCHED
Part of a series

The Guitar and 'the Fair Sex'

Professor Christopher Page
Thursday, 23 April 2015 - 1:00PM