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The reception of moving pictures in 1894–96 has been much mythologised. Were spectators really frightened of an approaching train? Did they imagine seeing their departed relatives reanimated on screen? How much attention was actually paid to this new phenomenon among so many contemporary novelties and wonders? Moving pictures may not have been the innovation once claimed, but within a decade few could doubt that they had become a major force in changing the Edwardian world.
Professor Christie is Visiting Professor in the History of Film and Media at Gresham College. He is a renowned British film scholar and currently Professor of Film and Media History at Birkbeck, University of London and a Fellow of the British Academy.
He has researched and published on many aspects of film history, including Eisenstein and Russian cinema, Powell and Pressburger, Gilliam and Scorsese, and is a regular broadcaster on cinema. He has also worked on many exhibitions, including Spellbound (Hayward, 1996), Modernism (V&A, 2006) and Revolution: Russian Art 1917-32 (Royal Academy, 2017). His current exhibition, Animatograph!, will be at London Metropolitan Archives during September-October 2019, and his monograph Robert Paul and the Origins of British Cinema (Chicago University Press) will appear later this year.
Current Visiting Professor of Media
