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For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
Over the last 30 years, digital technology produced an exponential increase in astronomical data. Within our lifetime, the entirety of the visible universe will have been mapped out: we will have seen everything there is to see. The question will then be: what does it all mean?
The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.
Accounts of occasional celestial spectacular events in past centuries have provided crucial information for modern-day astrophysicists. One such example is the so-called Great Eruption of Eta Carinae which was for a time in the mid 19th century the third brightest object in the night sky.
Air pollution, the usefulness of trees, ideas for a green belt are not concerns we associate with the 1600s. But John Evelyn, writer, diarist and gardener, was unusual. His thinking in Fumifugium (1661) about air quality, and Sylva (1664) about trees, seems astonishingly close to our own today.
How does fiction make itself seem like fact? Professor John Mullan begins where novels begin: with Defoe’s Robinson Crusoe, which showed every novel that followed how to make a ‘strange surprising’ story seem entirely ‘probable’ (the word that eighteenth-century pioneers of fiction liked t
Well-trained eyes can be remarkably useful for capturing light curves of evolving objects in the cosmos, even contributing to modern research programmes.
London in the 1950s and 60s was a crucible in which West Indian writers, artists, thinkers and scholars imagined new futures for the Caribbean, Britain and the world.