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Rachmaninov is considered by many to be the greatest composer-pianist in history. But his very popularity has left the complexity and subtlety of his music underappreciated.
The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.
Charles Edward Stuart (‘Bonnie Prince Charlie’) is one of the most recognisable and romanticised figures of British history. Born in Rome as a Catholic prince on 31 December 1720, he led the Jacobite Rising of 1745, which came closer than anyone expected to changing Great Britain irrevocably.
Air pollution, the usefulness of trees, ideas for a green belt are not concerns we associate with the 1600s. But John Evelyn, writer, diarist and gardener, was unusual. His thinking in Fumifugium (1661) about air quality, and Sylva (1664) about trees, seems astonishingly close to our own today.
How does fiction make itself seem like fact? Professor John Mullan begins where novels begin: with Defoe’s Robinson Crusoe, which showed every novel that followed how to make a ‘strange surprising’ story seem entirely ‘probable’ (the word that eighteenth-century pioneers of fiction liked t
London in the 1950s and 60s was a crucible in which West Indian writers, artists, thinkers and scholars imagined new futures for the Caribbean, Britain and the world.
Musorgsky was a proficient, but not virtuosic pianist, and most of his piano music is comprised of unambitious salon pieces. On the basis of these modest exploits, no one could have predicted his Pictures at an Exhibition.
From The Merchant of Venice to The Taming of the Shrew, it’s easy to see how Shakespeare’s plays can cause offence to contemporary audiences. Is it harder to teach Shakespeare today than in the past? Have ideas about what is offensive in Shakespeare changed over time?
Like James I, King William III was fundamentally unhappy with the stuffy formality of England’s vast crumbling royal estate. But unlike James, who virtually abandoned Edinburgh, William maintained a second court, and a parallel suite of royal houses, in the Netherlands.