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In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
Britain’s pioneer filmmaker, born 150 years ago in North London, vividly portrayed the variety of life in ‘the imperial metropolis’ at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.
Using contemporary print and theatre, this lecture will discuss how England and Englishness was defined, even as the boundaries between the home and the world became increasingly diffuse.
London was crucially dependent on continental Europe for its economic resilience in the mid-sixteenth century, and Sir Thomas Gresham’s fortune piggy-backed off the special relationship with Antwerp.
The earliest London-made films showed the Victorian city doing everyday business, before its fictional screen image became increasingly shadowy and sinister.
In the first of a series of lectures on English Romanticism, Jonathan Bate will go on a journey from the Scottish Highlands to a teenage suicide in London to the Geneva of Jean-Jacques Rousseau, in search of the origins of Romanticism.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
This final lecture will show how Shakespeare helped to immortalize the famous figures of ancient Greece and Rome, and how he in turn became famous after his death.
London is home to two of the oldest working theatres in the world both founded by Charles II’s patents. Professor Thurley looks at the significance and impact of these great institutions on the development of London.