Login Donate

Suggested searches:

Astronomy

Religion

Chris Whitty

Maths

Barnard's Inn Hall

Donate

Search results

Clear all filters

Filters:

The Subversive Nude in Modern China

The bare, naked, nude, and tradition-defying body constituted one of...

Painting of nude Chinese woman

Society and Survival During the Holocaust

This lecture focuses on experiences of hiding and help during...

A wax figure of Anne Frank sitting at a desk in a room

Making Memory Visible Through Photography

In her extensive work bridging photography and archival research, Dr...

handwritten Kodak sign on shop awning, taken in North Africa

Music, Death and Afterlife

This lecture explores ways in which we live with the...

A detailed still life painting titled "Memento Mori" by Carstian Luyckx

That's Not Funny: The Ethics of Satire

It used to be taken for granted that satire uses...

Elephant trying to roll ball colours with USA flag off cliff while donkey tries to stop him

Climate Risk and Insurance

Why did coastal homeowners lose insurance while UK energy bills...

Red upward arrow over stormy sky and power lines.

The Price of Pixels: Unmasking the Environmental Impact of Our Digital Lives

Our digital world's convenience masks a heavy environmental cost. This...

A close-up of a Raspberry Pi 4 circuit board partially buried in soil

Peacebuilding through the Visual Arts

How can the visual arts be used to promote peace...

Two side-by-side murals: one celebrating a historical unionist figure with bold text and symbols, and the other showing an older man speaking beside a message calling for peace and respect for differing views.

Lee Miller's Indelible Images

** This lecture includes Holocaust and WWII imagery that some...

Photo of Lee Miller in army uniform, plus picture she took of a Dead guard in canal, Dachau, Germany

Constable's "The Cornfield": A Bicentenary Harvesting

Constable’s painting The Cornfield celebrates its bicentenary in 2026. How...

An oil painting titled 'The Cornfield' by John Constable, depicting a pastoral English landscape