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The lecture discusses their identities, motives and impact, and the forgotten fact that their failure ended British revolutionary fantasies for a century.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.
This lecture examines the fascination surrounding works that are left unfinished at their composers’ deaths. It also looks at the urge that certain of us have to complete these uncompleted works, however unwisely and however unbidden.
Europe’s Wars of Religion were fought against entire populations, and were punctuated by events remembered as atrocities: such as the siege of Leiden in 1573-4 or, most notoriously, the St Bartholomew’s Day Massacres in France in 1572.
We will trace the musical, visual and choreographical consequences of this new trend through several later Diaghilev ballets: Parade (Satie/Picasso), Chout (Prokofiev/Larionov), Le Pas d’Acier (Prokofiev/Yakulov).
The myth of Santa Claus has been translated into an extraordinary market on a global scale. But how did this marketing success materialise? How did Finland become the home of Christmas?
During the Civil War Charles I’s court, denied access to its usual country residences, was forced to set itself up in a series of makeshift locations. The most important of these was Oxford which Charles converted into a large and well-organised courtly campus.