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In 1615 Katharina Kepler, illiterate mother of the astronomer Johannes Kepler, was accused of being a witch. At that time in Germany, there was a witch ‘craze’. Over half of the c.50,000 executions in Europe for witchcraft between 1500 and 1700 took place in Germany.
Serial murderer Myra Hindley is often portrayed as an “evil icon”. Her crimes of sadistic murder against children continue to shock. There are few artistic sights so terrifying as the giant portrait of Hindley composed of the handprints of children.
In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
Nurse Ratched is the evil nurse in Ken Kesey’s One Flew Over the Cuckoo’s Nest (1962). She is the Evil Woman as autocratic, the absolute power in a psychiatric ward, which is the ultimate “total institution”.
Mata Hari was an erotic dancer who, in 1917, was executed by the French army for treason. She has been portrayed as the ultimate femme fatale, extracting information from hapless men through exploiting her sensual charms.
The English Reformation – unlike many of the other Reformations convulsing sixteenth-century Europe – was at heart more about politics and law than about religion.
Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?
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