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Lord Richard Harries has selected 30 images to convey the essential truths of the Christian faith, some ancient and some modern. Drawn from both the West and the East, a few are well-known masterpieces and others will be unfamiliar.
Italo-Byzantine art will be considered as background to the early or ‘proto’ Renaissance at a time when Italy was a focus of stylistic cross-currents from South, East and Northern Europe.
Mathematics and art are more similar than is commonly thought. Each is concerned with the process of being highly creative with abstract objects and of producing everlasting work of great aesthetic beauty.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
Starting with literary examples from Dickens, this lecture will untangle the complexity of shadow-meaning by exploring how artists have used shadows since ancient times.