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Serial murderer Myra Hindley is often portrayed as an “evil icon”. Her crimes of sadistic murder against children continue to shock. There are few artistic sights so terrifying as the giant portrait of Hindley composed of the handprints of children.
On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
Canons of taste and value in other media, such as literature, art and music, have been challenged in recent decades by proponents of sexual and ethnic equality.
For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
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