Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
Government officials in the UK and the USA have struggled to find effective ways to regulate political spending on the internet. The question of appropriate regulation is challenging - both in practice and principle.
Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.
Britain’s pioneer filmmaker, born 150 years ago in North London, vividly portrayed the variety of life in ‘the imperial metropolis’ at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.
Using contemporary print and theatre, this lecture will discuss how England and Englishness was defined, even as the boundaries between the home and the world became increasingly diffuse.
London was crucially dependent on continental Europe for its economic resilience in the mid-sixteenth century, and Sir Thomas Gresham’s fortune piggy-backed off the special relationship with Antwerp.
This lecture will re-examine how the First World War ended, anticipating the centenary commemorations in 2018. It will discuss both why Germany requested a ceasefire, and why the Allies and America granted one.
Today's cry in democratic states, and not just from representatives of populist parties, is government with the people rather than government for the people.
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