Shostakovich's Lady Macbeth of Mtsensk

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Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press. The pretext was the opera’s music, but it is more likely that the plot and especially the staging offended against the conservative turn in the social morality now promoted by the state. When a revival became possible, Shostakovich chose to rework the opera, renaming it Katerina Izmailova.

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This event was on Tue, 26 Mar 2019

Marina Frolova-Walker Emeritus Professor of Music at Gresham College.

Professor Marina Frolova-Walker

Professor of Music

Marina Frolova-Walker is Gresham Professor of Music

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