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Shostakovich had considered the career of a concert pianist, yet his piano music studiously avoids the virtuosity he had assiduously cultivated as a young performer. Almost all his piano writing is in some way experimental and conceptual.
Could AI replace stand-up comedians and scriptwriters? This may not be an impossible dream if you accept that nothing we do is forever beyond the scope of computer modelling.
This talk relates true stories of life-changing events in which the use (or abuse) of mathematics has played a critical role. You will meet innocent victims of miscarriages of justice and the unwitting victims of mathematical bugs.
Where do we get our mathematical symbols from? Why is the set of integers called ℤ ? When was the equals sign first used? How about zero? Good notation tends to catch on quickly, whereas bad notation can obscure beautiful theory.
Space today is terrifyingly silent. But it wasn’t always thus: the early universe was filled with a hot plasma in which sound waves could travel. The cosmos was quivering with the aftershocks of the Big Bang.
On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
Even the most humdrum of electrical devices nowadays contains at least one computer; yet surprisingly few people are aware of their history, their form or function. In this talk we will see that not only is the history of computers rich and diverse, their architecture likewise.