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Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.
Britain’s pioneer filmmaker, born 150 years ago in North London, vividly portrayed the variety of life in ‘the imperial metropolis’ at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.
What can we learn from history about how deeply the internet could transform news in the 21st century? And how does it relate to broader social and economic trends?
This lecture will re-examine how the First World War ended, anticipating the centenary commemorations in 2018. It will discuss both why Germany requested a ceasefire, and why the Allies and America granted one.
Today's cry in democratic states, and not just from representatives of populist parties, is government with the people rather than government for the people.
The earliest London-made films showed the Victorian city doing everyday business, before its fictional screen image became increasingly shadowy and sinister.