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The Weimar Republic: Germany's First Democracy

Sir Richard Evans, one of the world's foremost authorities on modern German history, asks why the Republic failed in its attempt to make Germany democratic, and what lessons can be learned for the future of democracy in the 21st century.

The Treaty of Versailles: A Hundred Years Later

Professor MacMillan, a specialist in British imperial history and the international history of the 19th and 20th centuries, will consider if the treaty led to the outbreak of the Second World War and whether the attempt to create a new world order was a failure.

Creativity: Can Computers Cut It?

We will look at technology that enables creativity (not always of a good kind) and the prospects for a machine to create works of art.

The Changing Impact of Infections as We Go Through Life and Age

The changing pattern of disease as we progress in life has implications for treatment and prevention.

The Limits of Our Knowledge

There is much in the universe we will never know, and it is equally certain that we will never know all that we do not know.

Exploring Earth from Space

Today the earth is opening up its secrets as never before.

Energy and Matter at the Origin of Life

The origin of life is one of the biggest questions in science, but until recently it was, experimentally, a question in chemistry. Now, gene sequences and a better understanding of cell growth under extreme conditions are giving insights from biology.

Staying in Touch with Patients

This lecture considers how ‘gnostic’ touch (identifying disease) and ‘pathic’ touch (conveying care) are becoming separated by technological developments.

Is There Danger Ahead With AI: Superintelligence, Ethics, Work, Leisure and Automation

Professor Wilks will discuss the argument that ‘superintelligent’ AI may turn against us, as Hawking and Bostrom have warned.

Leonardo's Salvator Mundi: Scholarship, Science and Skulduggery

The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove

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