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Russian Piano Masterpieces: Rachmaninov

Rachmaninov is considered by many to be the greatest composer-pianist in history. But his very popularity has left the complexity and subtlety of his music underappreciated.

Snow White: Evil Witches

The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.

The Sound of Mathematics

It has been known since antiquity that there are simple “harmonic” relationships between notes that sound appealing together. This lecture introduces the mathematics of pitch, scales, and just temperament. The pitch of a sound is not its only important property.

The Mathematics of Musical Composition

Pattern and structure are essential to music, from the permutations in a Bach fugue, to the structure of a round.

Eve’s Evil Legacies

Eve was the original Evil Woman. She was tempted by Satan, introducing sin into the world. In turn, she seduced Adam, bringing the wrath of the Creator upon humanity for all eternity.

Russian Piano Masterpieces: Musorgsky

Musorgsky was a proficient, but not virtuosic pianist, and most of his piano music is comprised of unambitious salon pieces. On the basis of these modest exploits, no one could have predicted his Pictures at an Exhibition.

BBC Radio in the 78 Era (1920–1948)

In 1920, Nellie Melba’s singing was transmitted to Europe and Newfoundland via the wireless. In 1922 the BBC began broadcasting, and from the outset sponsored new music and relayed outside broadcasts to the nation (and from 1932, to the world).

Diaghilev and Prokofiev: Return to Emotion

In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.

The Ballets Russes: Turning French

Modernity kept seeping into ballet, a genre that had traditionally looked to a distant, mythical or magical past.

Musical Endings

In short, is the object of a musical ending to bring an audience to its feet? And what about false endings? Do they excite or belittle the audience?

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