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In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.
This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove