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Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
A musical journey into The Orgelbüchlein - the jewel in Bach's organ music - a collection of magnificent miniatures which encompass all the musical emotions and which allow the organist to show all the colours and sonorities of the instrument at his disposal.
This lecture will focus on one of the watershed moments of Soviet music history: the censure of Shostakovich’s opera Lady Macbeth of Mtsensk, and the composer’s path through reform to rehabilitation. The Shostakovich story was only the tip of the iceberg, and almost all Soviet composers had to adjust their aesthetic and style at this point, unless they were prepared to languish in obscurity and poverty.