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Could AI replace stand-up comedians and scriptwriters? This may not be an impossible dream if you accept that nothing we do is forever beyond the scope of computer modelling.
This lecture addresses the potential links between AI and religious belief, which include the question of whether an artificial “superintelligence”, were one to arise, would be well-disposed towards us.
The question “Will AI artefacts ever be conscious?” was raised by Turing seventy years ago, and will not go away even though no one quite knows what it means, nor how we would know they were conscious if they were.
In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.
Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.