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This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.
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