Diaghilev would often look at past art and then do the opposite. He playfully abandoned plot, elaborate costumes, emotional expression, and even meaning, but reinstating them whenever he felt like it – this was his undogmatic approach to modernism.
In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault. It could have been a new beginning, but it became Diaghilev’s final word when he died in the summer of 1929.
All lectures in Marina’s series Diaghilev and the Ballets Russes will be ticketed.
Tickets will be available from 10am on Thursday 12th March
For school bookings, please contact us at enquiries@gresham.ac.uk
Marina Frolova-Walker is Gresham Professor of Music. She is a Russian-born British musicologist and music historian. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge.
Professor Marina Frolova-Walker is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology. She was a Visiting Professor of Russian Music at Gresham in 2018-19.
Professor Marina Frolova-Walker said:
“I am honoured and excited to take up the position of 36th Gresham Professor of Music, and I am delighted to have such eminent predecessors as John Bull and Iannis Xenakis. Bringing knowledge about music to a broader public has always been one of my passions, and the work of several recent Professors of Music such as David Owen Norris and Roger Parker has been an inspiration for my own activities as a public lecturer.
“My first lecture series features the artistic project of the Ballet Russes, brainchild of the great impresario Serge Diaghilev. Prior to Diaghilev, no one thought that ballet could be transformed into a provocatively modern art, a platform for cutting-edge experiments in music, choreography and design. The project had its roots in Diaghilev’s inspired marketing of “Russianness” in the Parisian arts world, and he continued to develop his ideas until his circle had become an international hotbed of artistic innovation. “Surprise me!”, Diaghilev would say to anyone with a new proposal, and he did indeed bring about a stream of artworks that still surprise and delight us today.”
You can find more information on Marina and her research interests here: https://www.marinafrolova-walker.com/
Professor Frolova-Walker's lecture series are as follows:
2019/20 Diaghilev and the Ballets Russes
2018/19 Russian Opera and the State
All lectures by the Gresham Professors of Music can be accessed here.
Current Gresham Professor of Music
