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Drawing on evidence from contemporary maps, paintings and writings, and modern environmental science, the lecture will offer a 'virtual' walk around the City with Sir Thomas Gresham.
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
The Protestant Reformation set out to purge Christianity of error. But once you have started, how do you know when to stop? Some radicals tore up layer upon layer of tradition in the tireless search for deeper truths, proving their faith by their refusal to believe.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.
This lecture starts by looking at early-modern understandings of the nature of ‘animal’ and ‘human’ life, before turning to the rise of ‘rights of animals’.
This lecture questions this view and shows how, from the sixteenth century, aristocratic families deployed their collections and commissioned their buildings in both town and country in order to further their political and dynastic ambitions.
This lecture will look at how and why Christians in the seventeenth century first began seriously to wrestle with unbelief, whether troubled by feelings that God was absent, worries about religious variety or fear of damnation.