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Charles Dickens's expert eye for detail enabled him to describe many medical conditions in his writings. Dickens also suffered with a number of medical conditions which will be discussed in detail during the lecture.
A dialogue with Philip Pullman's complex 'Dark Materials' trilogy which provides a framework for discussing how human beings relate to the material world, and the origin of evil.
Frost's line, 'I found a dimpled spider... holding up a moth like a white piece of rigid satin cloth' exploits simile... But how can a moth be like cloth? -This is one of a number of examples that will be explored with a view to refining our understanding of smilie.
In the long run, in an Internet society, it is claimed, we will neither need nor want doctors, teachers, accountants, architects, the clergy, consultants, lawyers, and many others, to work as they did in the 20th century. - Is this true?
There was a time when old places were valued simply for their beauty and interest, but now this is not enough. Are calculations of the financial contribution of our history adding to the value of our heritage or have they fundamentally devalued it?
In the line, 'The Western wave was aflame', the 'Western wave' refers to the sea. But is it this simple? What do forms of substitution, synecdoche for example, lend to this magnificent and shadowy poem?
Science and technology creates moral problems in being able to both improve life and destroy it. How might Tolkein's 'Lord of the Rings' offer us reflections on scientific and religious frameworks which enable us to respect nature on the one hand, while transcending its limits on the other?
A celebration of the heart for St Valentine’s Day. How is it that a simple pump has become a symbol of the highest human emotions of love, truth, conscience and moral courage? How have artists represented this? An interdisciplinary presentation.
The blight of the concrete municipal buildings of the 1960s and 70s in the historic centres of our cathedral cities is all too familiar. Everyone wants to avoid the same mistakes being made again, but can we reconcile old and new in our historic cities?