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Rachmaninov is considered by many to be the greatest composer-pianist in history. But his very popularity has left the complexity and subtlety of his music underappreciated.
It has been known since antiquity that there are simple “harmonic” relationships between notes that sound appealing together. This lecture introduces the mathematics of pitch, scales, and just temperament. The pitch of a sound is not its only important property.
London in the 1950s and 60s was a crucible in which West Indian writers, artists, thinkers and scholars imagined new futures for the Caribbean, Britain and the world.
On the 200th anniversary of the birth of Friedrich Engels, his biographer Tristram Hunt looks at how both Engels and Karl Marx were deeply affected by their time in London in the second half of the 19th century.
Musorgsky was a proficient, but not virtuosic pianist, and most of his piano music is comprised of unambitious salon pieces. On the basis of these modest exploits, no one could have predicted his Pictures at an Exhibition.
In 1920, Nellie Melba’s singing was transmitted to Europe and Newfoundland via the wireless. In 1922 the BBC began broadcasting, and from the outset sponsored new music and relayed outside broadcasts to the nation (and from 1932, to the world).
In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.