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Archers Assemble: Creating The Powell-Pressburger Partnership

This lecture explores how the partnership worked during the 1940s, drawing in collaborators from many backgrounds who also excelled, and benefiting from the extraordinary conditions of wartime Britain.

Musical Openings

This lecture looks at how composers of all periods have risen to the challenge of how to write a memorable musical opening sentence.

Prokofiev's War and Peace

Sergei Prokofiev’s War and Peace (1953) was an adaptation of Tolstoy’s novel begun during WWII. He saw it as a personal interpretation of the novel.

Prokofiev's Epic Opera

"Prokofiev really was a crazy composer. He had lots of...

Digital Listening: The Future of Music in the Age of Digital Fragmentation

What’s the future of listening? What will happen to the ways we give attention to music in the future?

The Unacclaimed Accompanist

Graham Johnson examines a problematic profession that continues to attract many gifted young pianists to its ranks and asks why.

London Belongs to Us: Street-Life and New Wave British Cinema of the 1960s

In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.

Cult Films of London

"We're not trying to capture reality, we're trying to find...

Shostakovich's Lady Macbeth of Mtsensk

Lady Macbeth of Mtsensk (1932) was more a personal than a political drama. All was well for the first two years after the opera’s première in 1934, but shortly after Stalin went to a performance, it was vigorously condemned in the state press.

Deep Listening: Quiet Music and Quieter Audiences

As music gets quiet, so too must listening. But what do the contexts and ideologies of quiet music and quieter listening mean?

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